Tag Archives: Captain Beefheart

Rock Primer: How to Start Listening to Captain Beefheart

Much like the efforts we take to write more, exercise more, drink less, spend less, work harder, take more time for ourselves and family, etc. etc., we also make resolutions at the beginning of a new year to change our cultural consumption habits as well. Maybe you’d like to visit more art museums, or read at least three historical non-fictions by the end of the year. Maybe you also want to start listening to an artist that you never really considered listening to before. Here at Electric Comic Book, we are dedicated to helping you get the most out of your musical experience, and so, we’d like to offer this short Rock Primer on how to appreciate a classic artist that can seem daunting to jump right into. Our first subject to this new feature is the notoriously intimidating Captain Beefheart.

Whether you’ve read past essays on this site on the life, times, and death of the good captain (aka Dan Van Vliet), Captain Beefheart still remains a mystifying and daunting figure for both the myths and legends behind his personal life, but also what’s actually on the records. While many of them are worthy of acclaim after years of gestating in the critical back shelf, it seems that since his death in 2010, interest in Captain Beefheart’s music has enjoyed a slight upswing as other critics (namely, Rolling Stone, who, I’ll admit, put together a good list of songs, but not albums) pointed to his ‘best stuff’ in their  eulogies — many of which pointed to his masterpiece, 1969′s Trout Mask Replica.  However, because it does remain a haunting, challenging listen — even now, and after I published last week I would sooner turn that album on at a party before White Light/White Heat – the focus of his ‘best’ is not the intention here. This primer will be a guide for those who still look upon the Captain’s work with trepidation, and need a guide on dipping your toes in first before diving in to the rest of the Beefheart legacy. And even though many of your favorite artists will be quick to cite him as an influence, and usually point to Trout Mask Replica as the starting point (indeed it was for me), there are some who are still unable to make the plunge. Mind you, among the artists who consider Beefheart an influence include (but are not limited to): Tom Waits, Jack White, Kurt Cobain, John Frusciante, Black Francis, John Cale, Little Feat, the Clash, Johnny Rotten, Beck, the Black Keys, Beck, and Matt Groening — who got the Magic Band to reunite for the year he curated All Tomorrow’s Parties. And if you like any of them, chances are you’ll find something to love about the shambling, intentionally mad, silly darkness and intentionally ‘wrong’ music of Captain Beefheart and His Magic Band. And for that, we don’t start with his most well-known work, but in a some safer territory.  

After the Jump: Loving One of Rock’s Most Difficult Personas. 

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It’s So Hot. . .

It looks like you got three beaks, Crow!

The Black Keys’ Cover Captain Beefheart

This has been around for a while, but it’s been on my mind as long as I’d been listening to the new album and writing up the review posted yesterday.

For your dining and listening pleasure, the Black Keys performing Captain Beefheart’s “Her Eyes Are a Blue Million Miles.”

Tonight: Captain Beefheart Symposium at the Knitting Factory

If you’re looking to introduce your friends or impress others with a knowledge of all things Beefheart, then this is the event for you. Tonight, Gary Lucas, who managed Captain Beefheart during the 80′s, and member of the Magic Band, will be hosting a symposium on the music of Captain Beefheart. In addition to anecdotes and stories, expect discussions on HOW to play his music (he once said to Lucas, ‘Play like you died.’) and a deeper look at his lyrics. Slated to appear: Genesis Breyer P-Orridge, Danny Fields, Richard Pena and more.

This is happening tonight at the Knitting Factory Brooklyn, doors open at 7, show at 8. Tickets are $20.

For a taste of what’s going on tonight, Gothamist interviewed Gary Lucas, expounding upon his passion for the music, meeting the Captain, and managing him in the late period.

Captain Beefheart on David Letterman.

The tributes and love keep pouring in for our dear departed Captain. And no matter what people bring up regarding his extreme practicing methods, the reality is that Captain Beefheart was as human as the rest of us, and a genius like so few.

Here now is his interview (a fairly extensive one, considering his late period) on “Late Night with David Letterman.”

Another Spin: Captain Beefheart and His Magic Band, “Safe As Milk.”

Prior to releasing their mind-blowing debut of blues-gone askew, the only material to exist from Captain Beefheart and His Magic Band were a handful of singles released in 1966 on A&M Records. The first of which was an exciting, rollicking version of Bo Diddley’s “Diddy Wah Diddy,” backed with the original “Who Do You Think You’re Fooling?” (both can be found on the 1984 release “The Legendary A&M Sessions.”) While these tracks are odd only by comparison to the band’s supposed peers, the single and its B-Side are the most conventional, accessible material in Captain Beefheart’s catalog; the fuzz-distortion on “Diddy Wah Diddy” was a limit that other garage bands were afraid to push, while “Who Do You Think You’re Fooling” is extremely poppy, and only Don Van Vliet’s Howlin’ Wolf-style vocal rasp makes it challenging.

When the band approached the label about a full record, the band balked and decided to drop the band from their roster as soon as they heard demos and deemed the material “too unconventional.” After shifting the original line-up of the band, moving Alex St. Claire from drums to guitar, dropping Doug Moon and Richard Hepner, and picking up Ry Cooder on guitar, they signed to Kama Sutra subsidiary Buddha Records to release Safe as Milk just after the Summer of Love, in September, 1967.

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